Northwestern university dating site

However, Gauguin also created a number of works on paper that included transfer drawings, developing new printmaking methods along the way.

Marc Walton worked with the Art Institute and used computer science to uncover the mysteries behind Gauguin's monotypes.

The Center welcomes speaker Matthias Alfeld from Delft University of Technology, Netherlands on August 14th to give a talk on "Evaluating Spectroscopic Imaging Data of Cultural Heritage Objects Acquired on the Macroscopic Scale. (Piet) Iedema on Friday, March 8th for his talk, "Polymer Modeling for Art and Industry." Join us for a lecture and discussion on a multi-physics approach to mathematical modeling of polymer network based paints, as applied to photocuring acrylates (e.g., used in 3D printing [art] objects) and linseed oil-based binding medium in oil paintings.

Center for Scientific Studies in the Art's advanced imaging contributions to understanding John Singer Sargent's art at the Art Institute of Chicago highlighted in upcoming npr Science Fridays Live program in Chicago!

The Center welcomes speaker Patrick Degryse from the Catholic University of Leuven on April 10th to present his talk on "The Origins of Antimony as a Raw Material in Metal and Vitreous Materials Making: Yellow Glass and Gold from the Bronze Age to the Romans." He will discuss how the origins of man-made materials, and determining the provenance of the minerals used in making them, are crucial to the study of ancient societies, and the primary origin of the Sb raw materials used in several technological processes such as glass making and metal alloying. Join us for a lecture and discussion on Cultural Heritage as one of Europe’s most precious political, economic and social assets.

Since libraries, museums and archives nowadays start to use massive digitization, a lot of new possibilities arise with this newly generated data.

Marc Walton’s course on the “Materiality of Art and Archaeology” brought together an interdisciplinary group of students in both Art History and Materials Science to work with and assess objects in the Block Museum collection.

“Materiality of Art and Archaeology: An Introduction to Archaeological Science and Technical Art History” offered in Spring 2016 at Northwestern University brought together an interdisciplinary group of students in both Art History and Materials Science to work with and assess objects in the Block Museum collection.

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This panel, sponsored by the Northwestern University / Art Institute of Chicago Center for Scientific Studies in the Arts (NU-ACCESS), will examine how objects, when interrogated through the multiple lenses of a conservator, an art historian, an anthropologist, and a historian, can provide new information and fresh approaches to write theirs (and our civilization’s) histories.

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